# Film festival submissions at $0: premiere status gate + free entries (documentary scenes)

Date: 2026-10-27 · Trigger: the project lead 12:50 27 Oct "Keep it free whatever that takes" (movie is $0 from now) while scenes publish online every 6 h.

## What the record shows
- Fees are the norm, not the exception. Stephen Follows' scan of 4,631 festivals (Sep 2025, read): average short-film fees sit between $30 and $55 per entry depending on deadline; the average festival offers 37.5 fee combinations (half offer 15 or fewer). His older economics survey put the average short fee at $27 (snippet, not re-read).
- Fees are not what keeps festivals alive: three-quarters of festivals earned under 11% of income from fees (Follows, snippet). So a polite fee-waiver request is not asking them to give up their main income.
- FilmFreeway is the single door: Withoutabox shut in 2019, FilmFreeway (bought by Backstage 2021) dominates submissions (Follows, read). Its filters let you sort by fee; whether a "free entry" filter exists today is not checked.
- Premiere rules decide everything for a film that is already online:
  - Atlanta FF FAQ (read 27 Oct): features already released online/VOD are NOT eligible; shorts available online are judged case by case; screening in a virtual festival does not disqualify.
  - Sundance 2026 submissions FAQ (snippet; PDF not parsed): short films have no premiere requirement.
  - Tribeca 2027 (snippet): projects must have premiered on or after 1 Jan 2026.
  - Rule of thumb from those three: top-tier shorts sections are lenient, features are strict, and every festival states its own rule on its FAQ page. Read it before entering; never assume.

## How to do it (zero spend)
1. Decide the unit you submit: one 2-min scene is a micro-short; a 10-15 min cut of several scenes is a short (most "short" categories run to 40 min; Tribeca's line is <40). Shorts are where online availability is tolerated.
2. Build a sheet of 15-25 festivals: name, category, runtime cap, fee, premiere rule (quote the FAQ line + date read), deadline, waiver route. Only keep rows with fee £0 or a stated waiver route.
3. Waiver ask: one short email to the programmer naming the film, runtime, why it fits their programme (local history, Welsh language, documentary) and asking if a fee waiver is possible. Expect many no's; record each answer. (Response rates: no published number found, not checked.)
4. Screener: unlisted or password page with the full cut; never a trailer. Atlanta (read): they cannot judge from a clip, screener link must stay live until notification date.
5. Status hygiene: tell a festival at once if premiere status changes (Atlanta requires it).
6. Log laurels only from real acceptances; an "official selection" laurel is a strong sales-page trust cue for /documentary/, but only when true.

## Pitfalls
- Paying "just one" fee breaks the $0 rule. No exceptions without the project lead's word.
- Pay-to-win "awards" festivals that accept everything for a fee: worthless laurels, and they cost money.
- Publishing the full assembled cut publicly first can close strict festivals; scenes online is a smaller risk for shorts sections than for features.

## How we apply it to Cedwyn
- Keep the 6-hourly scene cadence on /movie/ (the project lead's rule). For festivals, make ONE 10-15 min assembled cut (cy audio, en subtitles) and keep that cut unlisted/password-only until festival answers come back, so it stays "unreleased" in the strict sense.
- Target free/waiver routes first in Wales and Patagonia-interest festivals and documentary/heritage shorts sections; do NOT name or contact any festival without the project lead's go (outreach = his decision; drafts as HubSpot tasks only).
- One HubSpot task per waiver email draft, the project lead sends. Track rule/fee/answer in the project workspace (create when first used).

## Sources
- stephenfollows.com (read 27 Oct 2026)
- stephenfollows.com (snippet)
- stephenfollows.com (snippet)
- atlantafilmfestival.com (read 27 Oct 2026)
- sundance.org (snippet)
- tribecafilm.com (snippet)